Polaroid SX-70 photograph, 1976. A lone small ivory tablet rests on a black velvet pedestal in the centre of frame. White border apparent. Slight blue cast across the tablet, gentle vignetting. Photographed dead-on, museum-style overhead daylight. Soft cyan shadow underneath. Square format, dust speck apparent on the emulsion.

Kirlian photograph, 1972. The silhouette of five small oval pads hovering just above a polished black surface. Electric-purple corona discharges arc upward from each pad, branching into delicate filaments. Deep black frame. Macro framing. Slight high-voltage halation at the edges of each oval.

Early MRI scan, 1985, axial slice through an iron-and-brass mechanical apparatus. Bone-grey volumes, signal noise, parallel slices stacked. False-color overlay marks the slender impact levers and curved fiber drum. Clinical aesthetic, grid annotations at the edge of the readout.

Daguerreotype, 1851. An unattended dark mahogany desk in a darkened parlor. Long exposure has captured ghosting where an absent presence once leaned over the desk. Silver-toned, slight tarnish at the edges, soft window source from the right. The desk surface bears a lone sheet of paper.

X-ray photograph, 1898. An ornate Victorian parlor cabinet seen from the front. Internal mechanisms revealed: levers, pulls, slender hammers, curved fiber drums. Pale grey skeletal forms against deep velvet black. Soft halation at the edges. Lab-stamp apparent in the lower corner.

Wet-plate collodion photograph, 1862. A lone hooked iron lever rests at the centre of a black velvet drape, holding a small ivory disk in its delicate jaws. Silvered mid-tints, vignetted edges, deliberate plate imperfections and scratch artifacts. Macro composition, scientific specimen style.

Early Kodachrome reversal, 1953. An empty studio with a lone black lacquered cabinet on a parquet floor. Saturated red wallpaper behind. The cabinet's front edge bears a long horizontal row of small white tongues. Soft daylight from a north-facing window. Slight speckle, archival color shift.

Cyanotype contact print, 1843. Leaves and grasses arranged in a row across the sensitized paper, but among the foliage a series of small rectangular silhouettes interrupts the organic line. Prussian blue frame, perfect contact registration, sharp white voids where opaque objects rested on the paper.

VHS news footage, 1985. Tracking lines, magnetic dropouts, low-resolution color smear, slight chroma bleed. A long horizontal black lacquered cabinet stands alone in a beige office. A white braided cable trails from its underside into the wall. Slow camera pan from left to right. Date stamp in the lower corner.

Polaroid 600 photograph, 1989. A small child stands at an iron parlor cabinet whose front is open, revealing a long row of small ivory tongues mounted on a wooden carriage. The child is shown only from behind, the head a blurred oval. Slight amber cast, white border, perfect square format.